Ocean Home – The A Team by Alexander Gorlin Architects

By J. Michael Welton

Clients like these don’t come along every day. They knew what they wanted. They en­couraged collaboration with their design team. They’re low-key, laidback, and like to have fun. And now they still do, in their modern waterfront home tucked away in one of the wilder corners of the Hamptons. What they envisioned for their site was not a contemporary beach house or a typical Hamptons-style cottage. They wanted a rus­tic camp lodge. And thanks to award-win­ning architect Alexander Gorlin and com­pany, they got that – and more.

To make it happen, Gorlin assembled an A-team of designers. He brought in Stacy Paetzel, principal in the Hamptons land­scape architecture firm MPLA Studio, and interior designer Llewellyn Sinkler, who worked with design legends William Hodgins and Bunny Williams before going out on her own. Sinkler had partnered with Gorlin before. “It’s inspiring to work with Alex,” she says. “When I first heard about designing a lodge in the Hamptons, I thought, ‘Does he mean the Adirondacks?’ But it turned out to be playful, tongue-in-cheek, and inspirational.” The design team expanded eventually to about 10 people. “I came in from the beginning,” says Sinkler, “and we laid it out together. The garden was also dis­cussed at the same time-it was a complete home. If you do it piecemeal, you get piecemeal, but if you do it all together, everyone brings something to the table.” When the clients began thinking about outdoor sculptures, they talked to their ar­chitect, landscape architect, and interior designer. They made decisions about keep­ing most of the older trees, adding a veg­etable garden, and renting chickens (“from Hamptons Rent-A-Chicken,” quips Gorlin) for fresh eggs all summer. “It was like being part of a dream team where you’re all on the same page,” Sinkler says. “All of us were paying a salute to a lodge-but one on the water in the Hamptons.”

Taking cues from his clients, Gorlin created a modern interpretation of a rustic camp lodge. It’s composed of two structures, with the master in one and the living room, kitch­ en, and dining area in the other. Above them are three bedrooms for their young adult daughters and guests. In between, an open space offers the opportunity to view man­ made and natural landscapes. The swimming pool is placed beyond the entry, so it’s visible immediately, with a vista to the bay farther out. “The main feeling on arrival is a framed view of the water,” the architect says. “The home is divided into pa­vilions like a lakefront luxury camp, yet there’s a kind of glam to it.” Gorlin designed the 7,000-square-foot home for easy living in the vernacular of Shingle style but with a very modern take on cedar, stone, and open space. The inte­riors feature very little sheetrock; instead, walls are clad in headboard, exposed wood. and other natural materials. Three fireplaces help achieve the desired lodge feel. “One is outside. It’s an extension of the interior; you can move outdoors and roast marshmallows,” he says. An outdoor pergola connects the house to the pool, with views down to the bay and an aging fishing shack carefully preserved by Gorlin and company.

Inside, Sinkler took the lodge idea to its logical conclusion. Gorlin suggested that the stairway balusters be made with birch branches; Sinkler found an antler chande­lier for the center hall. “It’s a three-tier, custom elk chandelier made in Montana,” she says. “When you first walk in the house and into the entry hall. there’s a 1950s side­board; then you look up and see that chan­delier,” she says. The kitchen is wallpapered in a birch tree motif that scales a double-height wall to clerestory windows. In the living room-an open 70-foot-long space-Sinkler placed a huge light fixture with 14 suspended pen­dants. “They’re grey and hang down right in the front, with two fireplaces at either end of the room,” she says. For the color palette, Sinkler looked to the exterior, extracting greys, greens, and browns. “There’s a bark color and some gra­dation of blue/grey and blue/green. The palette is peaceful and neutral,” she says. “It makes you want to slide into the sec­tional sofa inside and put your feet up next to the fire.” Overall Sinkler brought a light and airy feel to the project, one that’s natural and un­forced. “That’s how the clients are: warm, relaxed, and easy people who enjoy friends and have fabulous daughters,” she says.

Landscape architect Paetzek met Hampton’s complex waterfront restrictions with aplomb, deftly handling flood zone require­ments to enhance the lay of the land. “When you’re trying to design within structural regulations, it’s important not to be afraid of them,” she says. When she first walked the property, she learned that the house was destined to stand six feet above the site of an existing cottage, soon to be taken down. “We had to figure out a way to do that,” she says. “So the swimming pool’s infinity wall acts as a retaining wall. That’s where we made up a Jot of the grade.” Paetzek found her inspiration not just in those restrictions but also in the landscape, her clients, and Gorlin. “It was about what you had to do to make the site work. looking at it from an engineering perspective and then thinking about its indigenous materials,” she says. “And I was getting ideas from the clients and going back and forth with the architect. It was a collaboration.”

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